{"id":2561,"date":"2025-12-27T16:19:59","date_gmt":"2025-12-27T16:19:59","guid":{"rendered":"https:\/\/audioforum.rs\/?page_id=2561"},"modified":"2025-12-27T21:40:20","modified_gmt":"2025-12-27T21:40:20","slug":"audio-forum-belgrade-2024","status":"publish","type":"page","link":"https:\/\/audioforum.rs\/sr\/previous-events\/audio-forum-belgrade-2024\/","title":{"rendered":"Audio Forum Belgrade 2024"},"content":{"rendered":"

Nikola Luki\u0107<\/a><\/h2>\n\n\n\n
Senior Technical Sound Designer u EA DICE<\/h6>\n\n\n\n
\"\"<\/figure>
\n

8.12.2024 | 12:00 \u2013 13:30 | video poziv<\/h3>\n\n\n\n

Nikola Luki\u0107 je Senior Technical Sound Designer u studiju EA DICE, koji radi na me\u0111unarodnpo prepoznatim video igrama.<\/p>\n\n\n\n

Na Audio Forumu Beograd 2024 govorio je o razvoju me\u0111unarodne karijere u tehni\u010dkom dizajnu zvuka za video igre. Njegovo predavanje obuhvatilo je spoj dizajna, implementacije i tehnologije, kao i rad u velikim multidisciplinarnim timovima. Nikola je podelio uvide u profesionalne standarde, o\u010dekivanja industrije i dugoro\u010dni razvoj karijere u globalnom okru\u017eenju, nude\u0107i prakti\u010dne smernice za dizajnere zvuka zainteresovane za interaktivne medije.<\/p>\n\n\n\n

Nikolino predavanje pru\u017eilo je va\u017ene uvide i smernice mladim dizajnerima zvuka za interaktivne medije, u vezi sa rastom i razvojem karijere u video igrama.<\/p>\n<\/div><\/div>\n\n\n\n

Tarn Willers<\/a><\/h2>\n\n\n\n
Academy Award winner in Best Sound category for \u201cThe Zone of Interest\u201d<\/h6>\n\n\n\n
\"\"<\/figure>
\n

8.12.2024 | 14:00 \u2013 16:00 | na licu mesta<\/h3>\n\n\n\n

Tarn Willers je snimatelj zvuka i dobitnik Oskara, nagra\u0111en za rad na filmu The Zone of Interest zajedno sa svojim kolegom Johnny Burn-om.<\/p>\n\n\n\n

Na Audio Forumu Beograd 2024 govorio je o specifi\u010dnostima snimanja zvuka na setu u okviru konceptualno zahtevnih filmskih produkcija. Njegovo predavanje obuhvatilo je organizaciju rada na snimanju, saradnju sa rediteljem i postprodukcijom, kao i kreativne implikacije tehni\u010dkih odluka donetih tokom produkcije. Kroz konkretne primere iz filma, Tarn je ukazao na ulogu zvuka u izgradnji atmosfere, narativa i percepcije publike.<\/p>\n\n\n\n

Pru\u017eio je jedinstven uvid u rad na savremenim filmskim projektima najvi\u0161eg ranga.<\/p>\n<\/div><\/div>\n\n\n\n

Janez Kri\u017eaj<\/a><\/h2>\n\n\n\n
Music Producer, Mixer and Mastering Engineer, bass player of the former band \u201cVideosex\u201d<\/h6>\n\n\n\n
\"\"<\/figure>
\n

8.12.2024 | 17:00 \u2013 18:30 | na licu mesta<\/h3>\n\n\n\n

Janez Kri\u017eaj je muzi\u010dki producent, mikser i mastering in\u017eenjer, kao i biv\u0161i basista grupe Videosex.<\/p>\n\n\n\n

Na Audio Forumu Beograd 2024, bavio se konceptom slu\u0161anja kao fundamentalnom ve\u0161tinom za svakoga ko radi sa zvukom. Umesto da se fokusira na alate ili tehnologiju, Janez je istra\u017eivao kako kriti\u010dko slu\u0161anje oblikuje umetni\u010dke prosudbe, produkcione odluke i dugoro\u010dni kreativni razvoj. Kroz primere iz svoje vi\u0161edecenijske karijere, naglasio je va\u017enost pa\u017enje, konteksta i kulturne svesti u radu sa zvukom.<\/p>\n\n\n\n

Njegovo predavanje ohrabrilo je u\u010desnike da preispitaju slu\u0161anje kao aktivnu i trenabilnu praksu koja je temelj svih aspekata rada sa zvukom.<\/p>\n<\/div><\/div>\n\n\n\n

Zdravko Maljkovi\u0107<\/a><\/h2>\n\n\n\n
\u0160ef odeljenja muzi\u010dkih snimanja i prenosa tereneske grupe Radio Beograda,<\/h6>\n\n\n\n
\"\"<\/figure>
\n

8.12.2024 | 19:00 \u2013 21:30 | na licu mesta<\/h3>\n\n\n\n

Zdravko Maljkovi\u0107 is the Head of the Music Recording and Broadcasting Department Field Group at Radio Belgrade.<\/p>\n\n\n\n

Na Audio Forumu Beograd 2024, fokusirao se na izazove snimanja i emitovanja zvuka sa sportskih arena i velikih javnih doga\u0111aja.<\/p>\n\n\n\n

Njegovo predavanje obuhvatilo je mobilne snimateljske postavke, pouzdanost signala, koordinaciju sa broadcast timovima i prilago\u0111avanje nepredvidivim uslovima rada u\u017eivo. Deljenjem prakti\u010dnih iskustava sa terena, Zdravko je publici ponudio realisti\u010dan pogled na audio produkciju pod pritiskom, gde su tehni\u010dka priprema i brzo dono\u0161enje odluka klju\u010dni.<\/p>\n\n\n\n

Sesija je bila posebno relevantna in\u017eenjerima uklju\u010denim u emitovanje, prenos u\u017eivo i velike outdoor produkcije.<\/p>\n<\/div><\/div>\n\n\n\n

Dragan Stevanovi\u0107 – Bagzi<\/a><\/h2>\n\n\n\n
\u0160ef odeljenja zvuka u Ateljeu 212 u Beogradu<\/h6>\n\n\n\n
\"\"<\/figure>
\n

9.12.2024 | 12:00 \u2013 13:30 | na licu mesta<\/h3>\n\n\n\n

Dragan Stevanovi\u0107, poznat kao Bagzi, \u0161ef je audio tima u Ateljeu 212 u Beogradu i iskusan dizajner zvuka za pozori\u0161te. <\/p>\n\n\n\n

Na Audio Forumu Beograd 2024, govorio je o dizajnu zvuka za pozori\u0161ne produkcije, sa posebnim fokusom na prakti\u010dne radne tokove i upotrebu softvera QLab. Njegova prezentacija obuhvatila je odnos zvuka, prostora i izvo\u0111enja, kao i tehni\u010dke i kreativne zahteve rada u \u017eivim scenskim okru\u017eenjima. Kroz stvarne primere, Bagzi je istakao kako dizajn zvuka podr\u017eava pripovedanje i kako se integri\u0161e u saradnju sa rediteljima, glumcima i tehni\u010dkim timovima.<\/p>\n\n\n\n

Njegovo predavanje pru\u017eilo je dragocen uvid u specifi\u010dne izazove i prednosti rada sa zvukom u kontekstu izvo\u0111enja u\u017eivo.<\/p>\n<\/div><\/div>\n\n\n\n

Milica \u0160evarli\u0107<\/a> i Katarina Kolar<\/a><\/h2>\n\n\n\n
Belgrade Youth Center’s PR Manager and Live Sound Engineer, respectively<\/h6>\n\n\n\n
\"\"<\/figure>
\n

9.12.2024 | 14:00 \u2013 15:30 | na licu mesta<\/h3>\n\n\n\n

Milica \u0160evarli\u0107, PR menad\u017eerka, i Katarina Kolar, in\u017eenjerka zvuka u Domu omladine Beograda, zajedni\u010dki su predstavile sesiju o tehni\u010dkim i organizacionim izazovima produkcije koncerata u javnim kulturnim institucijama.<\/p>\n\n\n\n

Na Audio Forumu Beograd 2024, govorile su o produkcionim tokovima, komunikaciji izme\u0111u timova i specifi\u010dnim zahtevima velikih doga\u0111aja kao \u0161to je Beogradski d\u017eez festival.<\/p>\n\n\n\n

Njihova prezentacija ponudila je dualnu perspektivu, kombinuju\u0107i organizacionu strategiju sa prakti\u010dnim tehni\u010dkim iskustvom i naglasila va\u017enost koordinacije, planiranja i adaptibilnosti za uspe\u0161nu realizaciju muzi\u010dkih doga\u0111aja.<\/p>\n<\/div><\/div>\n\n\n\n

Ivan Brusi\u0107<\/a><\/h2>\n\n\n\n
Chief Sound Engineer at the Terazije Theater at the time<\/h6>\n\n\n\n
\"\"<\/figure>
\n

9.12.2024 | 19:15 \u2013 20:30 | na licu mesta<\/h3>\n\n\n\n

U trenutku odr\u017eavanja Audio Foruma Beograd 2024, Ivan Brusi\u0107 bio je \u0161ef audio tima u Pozori\u0161tu na Terazijama i iskusan in\u017eenjer zvuka u\u017eivo.<\/p>\n\n\n\n

Na konferenciji je vodio opse\u017enu vi\u0161e\u010dasovnu radionicu zvuka u\u017eivo u saradnji sa kvintetom Slobe Dragovi\u0107a feat. Ksenija Kulja\u010da. Radionica je obuhvatila pripremu benda, tonske probe i re\u0161avanje problema u realnim uslovima izvo\u0111enja. Rad sa muzi\u010darima na sceni demonstrirao je prakti\u010dne tehnike i procese dono\u0161enja odluka koji su su\u0161tinski za live sound.<\/p>\n\n\n\n

Ivanova sesija u\u010desnicima je pru\u017eila retku priliku da posmatraju i razumeju rad zvuka u\u017eivo u realisti\u010dnom kontekstu izvo\u0111enja.<\/p>\n<\/div><\/div>\n\n\n\n

kvintet Slobe Dragovi\u0107a<\/a> feat. Ksenija Kulja\u010da<\/a><\/h2>\n\n\n\n
Live Concert and Workshop<\/h6>\n\n\n\n
\"\"<\/figure>
\n

9.12.2024 | 20:30 \u2013 21:30 | na licu mesta<\/h3>\n\n\n\n

Kvintet Slobe Dragovi\u0107a, uz vokalistkinju i kantautorku Kseniju Kulja\u010du, u\u010destvovao je na Audio Forumu Beograd 2024 kao saradnik radionice i izvo\u0111a\u010d.<\/p>\n\n\n\n

Njihovo u\u010de\u0161\u0107e kulminiralo je \u017eivo izvedenim koncertom koji je zavr\u0161io konferenciju. Kroz probe, tonske probe i nastup, ansambl je pru\u017eio prakti\u010dan okvir za istra\u017eivanje koncepata live sound in\u017eenjeringa u realnom vremenu. Koncert je predstavio originalni materijal i demonstrirao direktnu vezu izme\u0111u tehni\u010dke pripreme i umetni\u010dkog izraza.<\/p>\n\n\n\n

U\u010de\u0161\u0107e grupe spojilo je obrazovanje i izvo\u0111enje muzike, nude\u0107i u\u010desnicima potpun uvid u proces od pode\u0161avanja sistema do kona\u010dnog izvo\u0111enja.<\/p>\n<\/div><\/div>\n\n\n\n

Nikola \u017divojinovi\u0107<\/a><\/h2>\n\n\n\n
Senior Mix Tech u Molinare London<\/h6>\n\n\n\n
\"\"<\/figure>
\n

8.12.2024 | 16:00 \u2013 17:00 | na licu mesta<\/h3>\n\n\n\n

Nikola \u017divojinovi\u0107 je Senior Mix Technician u studiju Molinare u Londonu, gde radi u \"Jack Cardiff\" Dolby Atmos studiju za miksovanje zvuka.<\/p>\n\n\n\n

Na Audio Forumu Beograd 2024, odr\u017eao je prezentaciju Dolby Atmos showcase, sa fokusom na \"immersive audio\" tehniku i fenomen u savremenoj postprodukciji. Oslanjaju\u0107i se na iskustvo u konfigurisanju i podr\u0161ci kompleksnih Atmos, 7.1 i 5.1 multi-rig miksova, Nikola je govorio o tehni\u010dkim i organizacionim aspektima rada na vrhunskim studijima za miksovanje zvuka.<\/p>\n\n\n\n

Njegov rad u miksovanju zvuka za film obuhvata naslove kao \u0161to su Her Name Was Moviola, Desperate Journey, Deep Cover, 213 Bones i Layla, a kao Senior Mix Tech ima zasluge na me\u0111unarodnim produkcijama kao \u0161to su The Amateur, Paddington in Peru, Nosferatu, Nimona, Damsel i The Family Plan<\/p>\n\n\n\n

Prezentacija je ponudila prakti\u010dan uvid u zahteve imerzivnog miksovanja zvuka u velikim filmskim i televizijskim projektima.<\/p>\n<\/div><\/div>\n\n\n\n

Studentski radovi iz oblasti radija i umetnosti zvuka u\u017eivo<\/h2>\n\n\n\n

Celi termini namenjeni studentskim projektima<\/h6>\n\n\n\n
\"\"<\/figure>
\n

8. i 9.12.2024 | 11:00 \u2013 11:30 | na licu mesta<\/h3>\n\n\n\n

Studentski radovi postali su sastavni deo programa Audio Foruma, pru\u017eaju\u0107i prostor mladim autorima da predstave svoje ideje, eksperimente i pristupe radu sa zvukom.<\/p>\n\n\n\n

Ova sekcija isti\u010de studentske projekte predstavljene tokom Audio Foruma Beograd 2024, uklju\u010duju\u0107i eksperimentalne radio-radove i izvo\u0111enja umetnosti zvuka u\u017eivo. Kroz ove radove, studenti istra\u017euju zvuk kao narativni, konceptualni i performativni medij, bave\u0107i se podjednako tehni\u010dkim i umetni\u010dkim aspektima audio stvarala\u0161tva. Studentski program pru\u017ea uvid u savremene pristupe radu sa zvukom u akademskom i eksperimentalnom kontekstu, istovremeno omogu\u0107avaju\u0107i u\u010desnicima da svoj rad predstave pred profesionalnom publikom.<\/p>\n\n\n\n

Projekti navedeni u nastavku predstavljeni su slede\u0107im redosledom tokom konferencije.<\/p>\n\n\n\n

Studentske eksperimentalne radiofonije<\/strong>
(8. decembar 2024.)<\/p>\n\n\n\n

\u201cStanje svesti nacije\u201d \u2013 Luka Luki\u0107
\u201c\u017drtva istosti\u201d \u2013 Mitar Karadegli\u0107
\u201cBrodolom.exe\u201d \u2013 Luka Latini\u010di\u0107<\/p>\n\n\n\n

Studentsko izvo\u0111enje radova u oblasti umetnosti zvuka u prostoru<\/strong>
(9. decembar 2024.)<\/p>\n\n\n\n

\u201c\u017dmurke\u201d \u2013 Luka Cvetko
\u201cPrisutnost\u201d \u2013 Aleksa Nikoli\u0107
\u201cSnaga\u201d \u2013 Sava Milivojevi\u0107<\/p>\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"

Nikola Luki\u0107 Senior Technical Sound Designer at EA DICE December 8, 2024 | 12:00 \u2013 13:30 | online Nikola Luki\u0107 is a Senior Technical Sound Designer at EA DICE, working on internationally recognized video game titles. At Audio Forum Belgrade 2024, he spoke about building and sustaining an international career in technical sound design. His […]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":72,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-2561","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nAudio Forum Belgrade 2024 - Audio Forum<\/title>\n<meta name=\"description\" content=\"A unique annual pro-audio conference in the SEE, happening in Belgrade, Serbia, with seasoned experts in its speaker lineup.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/audioforum.rs\/sr\/previous-events\/audio-forum-belgrade-2024\/\" \/>\n<meta property=\"og:locale\" content=\"sr_RS\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Audio Forum Belgrade 2024 - Audio Forum\" \/>\n<meta property=\"og:description\" content=\"A unique annual pro-audio conference in the SEE, happening in Belgrade, Serbia, with seasoned experts in its speaker lineup.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/audioforum.rs\/sr\/previous-events\/audio-forum-belgrade-2024\/\" \/>\n<meta property=\"og:site_name\" content=\"Audio Forum\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/masivaudioforum\/\" \/>\n<meta property=\"article:modified_time\" content=\"2025-12-27T21:40:20+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/audioforum.rs\/wp-content\/uploads\/2024\/12\/audio_forum_24_day01-91.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1620\" \/>\n\t<meta property=\"og:image:height\" content=\"1080\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u041f\u0440\u043e\u0446\u0435\u045a\u0435\u043d\u043e \u0432\u0440\u0435\u043c\u0435 \u0447\u0438\u0442\u0430\u045a\u0430\" \/>\n\t<meta name=\"twitter:data1\" content=\"8 \u043c\u0438\u043d\u0443\u0442\u0430\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/audioforum.rs\/previous-events\/audio-forum-belgrade-2024\/\",\"url\":\"https:\/\/audioforum.rs\/previous-events\/audio-forum-belgrade-2024\/\",\"name\":\"Audio Forum Belgrade 2024 - 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