{"id":91,"date":"2023-10-25T20:00:13","date_gmt":"2023-10-25T20:00:13","guid":{"rendered":"http:\/\/manja"},"modified":"2023-11-24T18:49:40","modified_gmt":"2023-11-24T18:49:40","slug":"audio-forum-2022","status":"publish","type":"page","link":"https:\/\/audioforum.rs\/sr\/previous-events\/audio-forum-2022\/","title":{"rendered":"Audio Forum 2022"},"content":{"rendered":"<h2 class=\"wp-block-heading\"><a href=\"https:\/\/www.instagram.com\/janiskaeune\">Janis Keune (Janis K\u00e4une)<\/a><\/h2>\n\n\n\n<h6 class=\"wp-block-heading\">Technical Application Engineer, Dear Reality<\/h6>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top is-image-fill\" style=\"grid-template-columns:30% auto\"><figure class=\"wp-block-media-text__media\" style=\"background-image:url(https:\/\/audioforum.rs\/wp-content\/uploads\/2023\/10\/firefox_gMgSLtvRqa.jpg);background-position:46% 45%\"><img fetchpriority=\"high\" decoding=\"async\" width=\"400\" height=\"400\" src=\"https:\/\/audioforum.rs\/wp-content\/uploads\/2023\/10\/firefox_gMgSLtvRqa.jpg\" alt=\"\" class=\"wp-image-276 size-medium\" srcset=\"https:\/\/audioforum.rs\/wp-content\/uploads\/2023\/10\/firefox_gMgSLtvRqa.jpg 400w, https:\/\/audioforum.rs\/wp-content\/uploads\/2023\/10\/firefox_gMgSLtvRqa-300x300.jpg 300w, https:\/\/audioforum.rs\/wp-content\/uploads\/2023\/10\/firefox_gMgSLtvRqa-150x150.jpg 150w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h3 class=\"wp-block-heading\">6.12.2022 | 13:30 \u2013 14:30 | video poziv<\/h3>\n\n\n\n<p>Janis je Technical Application Engineer za Dear Reality, kompaniju koja je pod okriljem kompanije Sennheiser od 2018. godine.<\/p>\n\n\n\n<p>Dear Reality deluje u oblasti \u201eunosnih audio kontrolera\u201c (immersive audio controllers), binauralizacije, Ambisonics-a i vi\u0161ekanalnih enkodera sa virtualizacijom okru\u017euju\u0107ih prostora. Konkretno, razvijaju plaginove za upotrebu u muzici i dizajnu zvuka, i to u kategorijama: Spatializer, Monitoring, Reverb i Controller &amp; Interactive.<\/p>\n\n\n\n<p>Jedna od Sennheiser-ovih vertikala koje se bave virtuelizacijom zvuka je i AMBEO, sa kojim smo se susreli tokom Audio Foruma 2021 zahvaljuju\u0107i prezenteru Johanesu Karesu.<\/p>\n\n\n\n<p>Na Audio Forumu 2022, u sistemu od 26 be\u017ei\u010dnih slu\u0161alica, Janis nam je pu\u0161tao primere implementacije Dear Reality softverskih re\u0161enja, kako bismo iz prve ruke razumeli \u0161ta je ta\u010dno ono \u0161to njihova tehnologija poku\u0161ava da postigne.<\/p>\n<\/div><\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><a href=\"https:\/\/www.linkedin.com\/in\/dimitrijecvetkovic\/\">Dimitrije Cvetkovi\u0107<\/a><\/h2>\n\n\n\n<h6 class=\"wp-block-heading\">Head of Audio, Mad Head Games<\/h6>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top is-image-fill\" style=\"grid-template-columns:30% auto\"><figure class=\"wp-block-media-text__media\" style=\"background-image:url(https:\/\/audioforum.rs\/wp-content\/uploads\/2023\/10\/Dimitrije-Cvetkovic-5_cr-scaled-1.jpg);background-position:50% 42%\"><img decoding=\"async\" width=\"400\" height=\"400\" src=\"https:\/\/audioforum.rs\/wp-content\/uploads\/2023\/10\/Dimitrije-Cvetkovic-5_cr-scaled-1.jpg\" alt=\"\" class=\"wp-image-278 size-medium\" srcset=\"https:\/\/audioforum.rs\/wp-content\/uploads\/2023\/10\/Dimitrije-Cvetkovic-5_cr-scaled-1.jpg 400w, https:\/\/audioforum.rs\/wp-content\/uploads\/2023\/10\/Dimitrije-Cvetkovic-5_cr-scaled-1-300x300.jpg 300w, https:\/\/audioforum.rs\/wp-content\/uploads\/2023\/10\/Dimitrije-Cvetkovic-5_cr-scaled-1-150x150.jpg 150w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h3 class=\"wp-block-heading\">6.12.2022 | 15:00 \u2013 16:30 | na licu mesta<\/h3>\n\n\n\n<p>Uzbudljiva putanja razvoja kompanije Mad Head Games u\u010dinila je da se dizajn zvuka u kompaniji razvije od \u201eone-man-show\u201c-a do departmana koji zaklju\u010dno sa 2022. godinom broji \u010dak petoro ljudi. Dimitrijeva uloga u tome bila je presudna \u2013 suosniva\u010d je \u010ditavog audio departmana u kompaniji, omogu\u0107iv\u0161i (tada) mladim i talentovanim dizajnerima zvuka ulaz u dizajn zvuka za video igre.<\/p>\n\n\n\n<p>Dimitrije je vi\u0161e od jedne decenije radio kao muzi\u010dki izvo\u0111a\u010d, autor i producent. Zavr\u0161io je studije na Katedri za snimanje i dizajn zvuka Fakulteta dramskih umetnosti u Beogradu, a u me\u0111uvremenu je otpo\u010deo karijeru dizajnera zvuka za video igre i, vremenom, razvoj \u010ditavog audio departmana u kompaniji Mad Head Games.<\/p>\n\n\n\n<p>Na Audio Forumu 2022, Dimitrije je do detalja predstavio proces rada na dizajnu muzike za igru \u201eScars Above\u201c na kojoj je radio nekoliko godina, a koja je objavljena 28.2.2023. godine za PC i konzole.<\/p>\n<\/div><\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><a href=\"https:\/\/martinstigandersen.com\/\">Martin Stig Andersen<\/a><\/h2>\n\n\n\n<h6 class=\"wp-block-heading\">Kompozitor i dizajner zvuka za video igre (LIMBO, INSIDE, Wolfenstein ll: The New Colossus, Back 4 Blood , Control)<\/h6>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top is-image-fill\" style=\"grid-template-columns:30% auto\"><figure class=\"wp-block-media-text__media\" style=\"background-image:url(https:\/\/audioforum.rs\/wp-content\/uploads\/2023\/10\/HFS-MSA_crRES.jpg);background-position:50% 34%\"><img decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/audioforum.rs\/wp-content\/uploads\/2023\/10\/HFS-MSA_crRES.jpg\" alt=\"\" class=\"wp-image-280 size-medium\" srcset=\"https:\/\/audioforum.rs\/wp-content\/uploads\/2023\/10\/HFS-MSA_crRES.jpg 300w, https:\/\/audioforum.rs\/wp-content\/uploads\/2023\/10\/HFS-MSA_crRES-150x150.jpg 150w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h3 class=\"wp-block-heading\">6.12.2022 | 17:00 \u2013 18:30 | video poziv<\/h3>\n\n\n\n<p>Martin je poznat po muzici i zvuku za \u010duvene naslove LIMBO, INSIDE, Wolfenstein ll: The New Colossus, Back 4 Blood i Control. Odr\u017eao je Q&amp;A sesiju na Audio Forumu 2022, kada je publika najzad mogla da postavi pitanja koja su se sasvim sigurno gomilala jo\u0161 od vremena naslova LIMBO.<\/p>\n\n\n\n<p>Sasvim slu\u010dajan susret sa Martinom na Reboot Develop Blue 2022 konferenciji u Dubrovniku odveo je pravcu uklju\u010divanja Martina u predava\u010dku postavu Audio Foruma 2022. U me\u0111uvremenu, interesantno je to da je vest o njegovom gostovanju izazivala veliko uzbu\u0111enje u zajednici jednom kada bi se naveli radovi koje ima iza sebe. Sve video igre iz njegovog portfolija zauzumaju zna\u010dajna mesta u istoriji video igara, zbog \u010dega je Martinovo gostovanje nadaleko odjeknulo.<\/p>\n\n\n\n<p>U krajnje jedinstvenom, samo njemu svojstvenom smirenom i promi\u0161ljenom stilu, Martin nas je kroz pitanja i odgovore upoznao sa svojom karijerom u video igrama koja je zaklju\u010dno sa 2022. trajala svega oko deset godina. Od kori\u0161\u0107enja ljudske lobanje kao rezonatora do rada sa goli\u0161avim performans artistima za \u201eThe Huddle\u201c iz igre INSIDE, Martinov stvarala\u010dki proces je publici Audio Foruma sigurno otvorio mnoge teme za razmi\u0161ljanje.<\/p>\n<\/div><\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><a href=\"https:\/\/mixwiththemasters.com\/masters\/michael-brauer\">Majkl Brauer (Michael Brauer)<\/a><\/h2>\n\n\n\n<h6 class=\"wp-block-heading\">Gremijevac | Mikser muzike u Electric Lady Studio B (New York, NY)<\/h6>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top is-image-fill\" style=\"grid-template-columns:30% auto\"><figure class=\"wp-block-media-text__media\" style=\"background-image:url(https:\/\/audioforum.rs\/wp-content\/uploads\/2023\/10\/header_brauer_cr-gigapixel-standard-width-300px.jpg);background-position:46% 47%\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/audioforum.rs\/wp-content\/uploads\/2023\/10\/header_brauer_cr-gigapixel-standard-width-300px.jpg\" alt=\"\" class=\"wp-image-279 size-full\" srcset=\"https:\/\/audioforum.rs\/wp-content\/uploads\/2023\/10\/header_brauer_cr-gigapixel-standard-width-300px.jpg 300w, https:\/\/audioforum.rs\/wp-content\/uploads\/2023\/10\/header_brauer_cr-gigapixel-standard-width-300px-150x150.jpg 150w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h3 class=\"wp-block-heading\">6.12.2022 | 19:30 \u2013 21:00 | video poziv<\/h3>\n\n\n\n<p>Te\u0161ko je re\u0107i \u2013 Da li \u0107emo pamtiti Majklovo predavanje po tome \u0161to nas je do suza nasmejao ili po retko bogatom i dugove\u010dnom portfoliju?<\/p>\n\n\n\n<p>Majkl se uklju\u010dion preko video poziva, iz svog studija \u201eElectric Lady\u201c, u kome poseduje nevi\u0111enu kolekciju \u201cvintage\u201d procesora. Aa temom \u201cO miksovanju muzike za najve\u0107e svetske produkcije\u201d, pri\u010dao je o doga\u0111ajima tokom svoje tridesetogodi\u0161nje karijere, kad je Majkl sara\u0111ivao sa najpopularnijim izvo\u0111a\u010dima u razli\u010ditim \u017eanrovima, od Rolling Stones-a do Coldplay-a. Sedmostruki je dobitnik Gremija, dugo po\u0161tovan zbog zvu\u010dnog pristupa koji on naziva \u201eBRAUERIZE\u201c!<\/p>\n\n\n\n<p>Grammy nagrade:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Ang\u00e9lique Kidjo \u2013 Sings (Best World Music Album) 2016<\/li>\n\n\n\n<li>Ang\u00e9lique Kidjo \u2013 Eve (Best World Music Album) 2015<\/li>\n\n\n\n<li>Calle 13 \u2013 Multi Viral (Best Latin Rock, Alternative Or Urban Album) 2015<\/li>\n\n\n\n<li>John Mayer \u2013 Battle Studies (Best Engineered Album, Non-Classical) 2011<\/li>\n\n\n\n<li>Coldplay \u2013 Viva la Vida or Death and All His Friends (Best Rock Album) 2009<\/li>\n\n\n\n<li>John Mayer \u2013 Continuum (Best Pop Vocal Album) 2007<\/li>\n\n\n\n<li>Coldplay \u2013 Parachutes (Best Alternative Music Performance) 2000<\/li>\n<\/ul>\n\n\n\n<p>Majkl je ubedljivi favorit Audio Foruma 2022 koji je neo\u010dekivanom duhovito\u0161\u0107u vi\u0161e puta glasno i ubedljivo poentirao \u0161ta je ono \u0161to vas \u010dini najboljim u poslu. Na pitanje \u201eZa\u0161to niste postali muzi\u010dki producent?\u201c odgovorio je krajnje jednostavno \u2013 \u201eBecause I suck at it.\u201c<\/p>\n<\/div><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Sr\u0111an Mitri\u0107<\/h2>\n\n\n\n<h6 class=\"wp-block-heading\">Pravnik, SOKOJ<\/h6>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top is-image-fill\" style=\"grid-template-columns:30% auto\"><figure class=\"wp-block-media-text__media\" style=\"background-image:url(https:\/\/audioforum.rs\/wp-content\/uploads\/2023\/10\/DSC_8561_cr1.jpg);background-position:52% 36%\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"400\" src=\"https:\/\/audioforum.rs\/wp-content\/uploads\/2023\/10\/DSC_8561_cr1.jpg\" alt=\"\" class=\"wp-image-282 size-medium\" srcset=\"https:\/\/audioforum.rs\/wp-content\/uploads\/2023\/10\/DSC_8561_cr1.jpg 400w, https:\/\/audioforum.rs\/wp-content\/uploads\/2023\/10\/DSC_8561_cr1-300x300.jpg 300w, https:\/\/audioforum.rs\/wp-content\/uploads\/2023\/10\/DSC_8561_cr1-150x150.jpg 150w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h3 class=\"wp-block-heading\">7.12.2022 | 15:00 \u2013 16:30 | na licu mesta<\/h3>\n\n\n\n<p>Sr\u0111an je diplomirani pravnik, specijalista u oblasti prava intelektualne svojine, konkretno \u2013 autorskog prava. Izbor karijere i usmerenja desio se usled velike ljubavi prema stvaranju, prevashodno muzici, \u0161to ga \u010dini retkim primerkom pravnika usko profilisanog za pitanja prava nad onime \u0161to ljudski um proizvede tokom svog rada.<\/p>\n\n\n\n<p>Proveo je godine u izdava\u010dkoj ku\u0107i Mascom kao advokat i pravnik, gde je u saradnji sa mnogim stvaraocima sa podru\u010dja Republike Srbije radio na stalnom oboga\u0107ivanju doma\u0107eg muzi\u010dkog kataloga. Tokom Audio Foruma 2022 vr\u0161io je funkciju pravnika u SOKOJ-u.<\/p>\n\n\n\n<p>Sr\u0111an se \u010desto pojavljuje na Audio Forum konferenciji iz jednostavnog razloga \u2013 zato \u0161to jo\u0161 uvek nije u na\u0161oj kulturi da se prilikom stvaranja razmi\u0161lja o onome \u0161to nam se ne svi\u0111a, \u0161to ne volimo ili \u0161to nas \u201esmara\u201c. Stoga, publika bi pri\u0161la Sr\u0111anovom predavanju bez mnogo o\u010dekivanja, a zatim bismo imali pote\u0161ko\u0107a da ga bezbedno izvedemo iz zgrade od silne navale veoma kvalitetnih pitanja.<\/p>\n\n\n\n<p>Naravno, Sr\u0111an ne daje pravne savete na Audio Forumu, ali pru\u017ea informacije od izuzetnog zna\u010daja svima koji su makar jednom u \u017eivotu otpevu\u0161ili melodiju koja im je iz \u010dista mira pala na pamet.<\/p>\n<\/div><\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><a href=\"https:\/\/www.jessecannon.com\/\">D\u017eesi Kenon (Jesse Cannon)<\/a><\/h2>\n\n\n\n<h6 class=\"wp-block-heading\">Muzi\u010dki producent, jutjuber i pisac<\/h6>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top is-image-fill\" style=\"grid-template-columns:30% auto\"><figure class=\"wp-block-media-text__media\" style=\"background-image:url(https:\/\/audioforum.rs\/wp-content\/uploads\/2023\/10\/Jesse-CannonRES.jpg);background-position:52% 30%\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/audioforum.rs\/wp-content\/uploads\/2023\/10\/Jesse-CannonRES.jpg\" alt=\"\" class=\"wp-image-281 size-medium\" srcset=\"https:\/\/audioforum.rs\/wp-content\/uploads\/2023\/10\/Jesse-CannonRES.jpg 300w, https:\/\/audioforum.rs\/wp-content\/uploads\/2023\/10\/Jesse-CannonRES-150x150.jpg 150w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h3 class=\"wp-block-heading\">7.12.2022 | 17:00 \u2013 18:30 | video poziv<\/h3>\n\n\n\n<p class=\"translation-block\">Ka\u017ee za sebe da je zalu\u0111enik za muzi\u010dkim marketingom. Autor je knjiga \u201eProcessing Creativity: The Tools, Practices And Habits Used To Make Music You\u2019re Happy With\u201c i \u201eGet More Fans: The DIY Guide To The New Music Business\u201c. D\u017eesi je na Audio Forumu 2022 pri\u010dao o tome kako promovisati svoj muzi\u010dki projekat, kako muzi\u010dki biznis zapravo funkcioni\u0161e i kako napredovati u stvaranju baze obo\u017eavalaca.<\/p>\n\n\n\n<p class=\"translation-block\">Producent je i voditelj brojnih podkasta, a tako\u0111e i dokumentarnog serijala \u201eAtlantic Records Inside The Album\u201c po tome \u0161to se bavi analizom kreativnih procesa iza muzi\u010dkih dela.<\/p>\n\n\n\n<p>D\u017eesi tako\u0111e radi na produkciji muzi\u010dkih dela u svom studiju Found Soundation, a ostavio je traga na delima najrazli\u010ditijih izvo\u0111a\u010da, od kojih se izdvajaju: The Cure, Animal Collective, The Menzingers, The Misfits, Limp Bizkit, Basement, The Dillinger Escape Plan, Somos, NOFX, Man Overboard, Leftover Crack, Transit, Morning Glory, Lifetime, Saves The Day.&nbsp;<a href=\"http:\/\/www.cannonfoundsoundation.com\/\">Found Soundation<\/a>, and has left his mark on the works of a wide variety of artists, including: The Cure, Animal Collective, The Menzingers, The Misfits, Limp Bizkit, Basement, The Dillinger Escape Plan, Somos , NOFX, Man Overboard, Leftover Crack, Transit, Morning Glory, Lifetime, Saves The Day.<\/p>\n\n\n\n<p>Putem svog Youtube kanala \"<a href=\"http:\/\/musformation.com\/\">Musformation<\/a>\" u\u010di muzi\u010dare kako da pove\u0107aju bazu fanova od nule do 10000 i pru\u017ea sveobuhvatne savete u vezi sa vo\u0111enjem muzi\u010dke karijere.<\/p>\n\n\n\n<p class=\"translation-block\">Izrazito \u0161arolik dijapazon D\u017eesijevih aktivnosti mo\u017eda je najbolje pregledati na njegovom sajtu https:\/\/www.jessecannon.com\/.<\/p>\n<\/div><\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><a href=\"https:\/\/www.imdb.com\/name\/nm0858378\">Rendi Tom (Randy Thom)<\/a><\/h2>\n\n\n\n<h6 class=\"wp-block-heading\">Academy Award\u2122 winner | Sound Design Director, Skywalker Sound<\/h6>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top is-image-fill\" style=\"grid-template-columns:30% auto\"><figure class=\"wp-block-media-text__media\" style=\"background-image:url(https:\/\/audioforum.rs\/wp-content\/uploads\/2023\/10\/aotc-rt-randy-thom-headshot_crRES.jpg);background-position:46% 33%\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/audioforum.rs\/wp-content\/uploads\/2023\/10\/aotc-rt-randy-thom-headshot_crRES.jpg\" alt=\"\" class=\"wp-image-277 size-medium\" srcset=\"https:\/\/audioforum.rs\/wp-content\/uploads\/2023\/10\/aotc-rt-randy-thom-headshot_crRES.jpg 300w, https:\/\/audioforum.rs\/wp-content\/uploads\/2023\/10\/aotc-rt-randy-thom-headshot_crRES-150x150.jpg 150w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h3 class=\"wp-block-heading\">7.12.2022 | 19:15 \u2013 20:30 | video poziv<\/h3>\n\n\n\n<p>Tokom priprema Audio Foruma 2022, Aleksandar Manja i Dejan Pejovi\u0107 su obavili jedan kratak, neproporcionalno uzbudljiv telefonski poziv. Na pitanje \u201eMogu li dobiti neke detalje o narednom predava\u010du?\u201c usledio je Dejanov odgovor: \u201e\u0160ta ima da ti pri\u010dam, zna\u0161 ga dobro \u2013 Rendi Tom!\u201c<\/p>\n\n\n\n<p>Lik i delo Rendija Toma pro\u017eima sve obrazovne institucije u \u010dijem se sastavu izu\u010dava umetnost i ve\u0161tina dizajna zvuka. Sa temom \u201cO dizajnu zvuka u animiranom filmu\u201d, na Audio Forumu 2022 obratio nam se ovaj \u201csound guru\u201d, edukator, jedan od najbitnijih dizajnera zvuka sa petnaest nominacija i dva dobijena Oskara \u2013 za igrani i animirani film.<\/p>\n\n\n\n<p>Impresivna radna biografija govori sama za sebe, a iz koje treba izdvojiti igrane filmove Apocalypse Now, The Right Stuff, Star Wars, Forrest Gump, The Revenant, ali i animirane Ice Age, How to Train Your Dragon, Rio, Shrek, The Incredibles.<\/p>\n\n\n\n<p>Koliko god da smo vremena odredili za razgovor sa Rendijem \u2013 ne bi bilo dovoljno. Ipak, o\u010digledno smo uspeli da u sat i petnaest minuta saznamo iz prve ruke o tome \u0161ta su izazovi u radu na animiranom filmu, i to od osobe koja sa zvukom radi jo\u0161 od 1970. godine!<\/p>\n<\/div><\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><a href=\"https:\/\/www.linkedin.com\/in\/mirjana-mihajlovic-90820b31\/\">Mirjana Mihajlovi\u0107<\/a><\/h2>\n\n\n\n<h6 class=\"wp-block-heading\">In\u017eenjerka akustike i audiotehnike, Dirigent Acoustics (Beograd)<\/h6>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-center is-image-fill\" style=\"grid-template-columns:30% auto\"><figure class=\"wp-block-media-text__media\" style=\"background-image:url(https:\/\/audioforum.rs\/wp-content\/uploads\/2023\/10\/DSC_8885-Copy_cr1.jpg);background-position:60% 31%\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"400\" src=\"https:\/\/audioforum.rs\/wp-content\/uploads\/2023\/10\/DSC_8885-Copy_cr1.jpg\" alt=\"\" class=\"wp-image-283 size-medium\" srcset=\"https:\/\/audioforum.rs\/wp-content\/uploads\/2023\/10\/DSC_8885-Copy_cr1.jpg 400w, https:\/\/audioforum.rs\/wp-content\/uploads\/2023\/10\/DSC_8885-Copy_cr1-300x300.jpg 300w, https:\/\/audioforum.rs\/wp-content\/uploads\/2023\/10\/DSC_8885-Copy_cr1-150x150.jpg 150w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h3 class=\"wp-block-heading\">8.12.2022 | 16:00 \u2013 18:00 | na licu mesta<\/h3>\n\n\n\n<p class=\"translation-block\">Mirjana je in\u017eenjerka akustike i audiotehnike, tako\u0111e i Chief System Architect u kompaniji Dirigent Acoustics. Sa prethodno zavr\u0161enim Elektrotehni\u010dkim fakultetom, a pre raznih privatnih anga\u017emana, radila je vi\u0161e od 10 godina za Radio televiziju Srbije kao operaterka, in\u017eenjerka i projektantkinja audio sistema.<\/p>\n\n\n\n<p>Mirjana je na Audio Forumu 2022 vodila radionicu o DANTE protokolu na primeru miksete Stagetec Avatus.<\/p>\n\n\n\n<p class=\"translation-block\">Radna istorija Dirigent Acoustics-a zasniva se na uspe\u0161nim projektima mapiranja i ubla\u017eavanja buke u javnom prostoru, akusti\u010dke obrade raznih enterijera i projektovanja audio sistema u okviru raznih poslovnih jedinica. Neki od primera: Zgrada novog terminala aerodroma Nikola Tesla, Strate\u0161ko mapiranje buke ve\u0107ih puteva u Srbiji, Barijere za za\u0161titu od buke na autoputu u blizini bloka 28.<\/p>\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Janis K\u00e4une Technical Application Engineer, Dear Reality December 6, 2022 | 13:30 \u2013 14:30 | online Janis is a Technical Application Engineer at Dear Reality, a company that has been under Sennheiser since 2018. Dear Reality operates in the field of &#8220;immersive audio controllers&#8221;, binauralization, Ambisonics and multi-channel encoders with spatial virtualization. Specifically, they develop [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":288,"parent":72,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-91","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Audio Forum 2022 - Audio Forum<\/title>\n<meta name=\"description\" content=\"A unique annual pro-audio conference in the SEE, happening in Belgrade, Serbia, with seasoned experts in its speaker lineup.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/audioforum.rs\/sr\/previous-events\/audio-forum-2022\/\" \/>\n<meta property=\"og:locale\" content=\"sr_RS\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Audio Forum 2022 - 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